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Remodel, Relocate

Self expression piece that displays the growth of identity in North America through Indo-Guyanese culture.

Armour .jpg

Armour

October 2020

Graphite and Ink on 8 x 11 Cartrigde

1/3 body of work

Backwards Story.png

Backwards Story

October 2020

Illustrator

2/3 body of work

Markham to Jefferson.jpg

Gold Ties

October 2020

Graphite and Ink on 18 x 24 Cartrigde

3/3 body of work

Backwards Story

When asked about my origin, I often respond with, "I live in Brampton, but I'm from Jane and Finch." However, the truth is, I was born in Scarborough, a fact depicted on this map. Over the course of my life, I've called 10 different houses my home, but only three truly resonate with me. The first layer of this map represents the chronology of my existence, with Scarborough on the far right and Brampton on the left. The varying sizes of the shapes symbolize my physical growth – a square for infancy, a small rectangle for youth, and a large rectangle for my towering adulthood. Alternatively, they can be interpreted as the time spent in different cities.

The colors of these shapes reflect the periods of my life, corresponding to the hues in photos from those times (for instance, Jane and Finch is depicted in green, mirroring my school uniform color). The final layer on the picture plane features two overlapping dark-colored quadrilaterals, symbolizing the weight of my existence in the areas I've inhabited. The dark green square represents the Earth, while the navy blue rectangle overlapping it serves as the "background of my map," magnified.

In conceptualizing this piece, I grappled with the idea that, in the initial years of my life, I lacked a true home. The inspiration for mapping out my existence came from a conversation with a friend who has resided in the same house since birth, spanning 21 years. The notion of a consistent home throughout my life alarmed me, as I believe one's surroundings can shape them profoundly. The person I was in Jane and Finch differs significantly from the individual you see today, especially when considering the evolution from my earlier years to the present. As I reflect on my piece now, it's intriguing – it narrates the tale of my life, and in contrast to the Western books we read, understanding this map requires one to traverse it from right to left, rather than the conventional left to right.

Armour + Gold Ties

The inspiration to embark on this series of self-portraits emerged from my desire to build upon my initial art piece, "Backwards Story." Despite the evolving nature of my appearance across various locations I've called home, my connection to my Indo-Guyanese culture has remained unwavering. These drawings serve as a visual journey through the places I've inhabited – from my birth in Canada, the formative years spent in a Guyanese village, to my current residence in a Canadian city.

Commencing this series with a depiction of my infancy in Guyana holds special significance. It was there that I first adorned jewelry, an act orchestrated by my Great-Grandmother who pierced my ears and gifted me my inaugural pair of gold earrings. The gold jewelry featured in these artworks serves as a poignant reminder of my enduring ties to Guyana; crafted from Guyanese gold, I wear these pieces daily. In Guyanese culture, donning gold symbolizes both beauty and wealth.

The abstract background in each portrait is intentionally designed to convey a sense of movement, reflecting the dynamic changes I've undergone from childhood to my current existence in diverse locales. Each stroke and element in these self-portraits contributes to the visual narrative of my life's journey, capturing the essence of cultural continuity amid personal transformations.

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